I took these a few days ago. The nice thing about rain is that it sends everyone indoors and leaves the streets relatively free – I don’t have to negotiate crowds. Wet pavements also reflect the streetlights. They’re very atmospheric.
Looking through windows again – but during the day this time. The gallery display first caught my eye, then I noticed the muted colours of the interior and then I noticed the man working alone.
It’s something I have started to notice a lot as I walk around London. We spend an awful lot of time on our own in this big city. It’s a theme I am following up
It’s become a Christmas Eve tradition – the meat auction by Harts of Smithfield on Christmas Eve. They sell off all the meat they have left in stock before the Christmas break. Suckling pigs were going for £50 or free if you won the toss of a coin, hams for £15, more smoked gammon that one person could physically carry for £20 (I know because I had to carry one home!) and turkeys – lots of turkeys.
There was a great atmosphere there this morning. People were handing money to complete strangers who were nearer the front and the meat was passed back. That’s how I got mine.
And all accompanied by “oohs” and “aaahs”, cheers, rounds of applause and lots of friendly banter.
It’s a tradition that goes back at least to the 1950s, if not longer. And long may it continue.
Some people bought more than others! And had a little trouble getting it away. This box did hit the ground but a very kind fellow auction attender helped them to pick it up.
And there was plenty of clearing up to be done at the end.
Looking through shots I took at the end of October and in November, I had a look at this and decided I liked it (it sometimes takes me a while after I took the shot). I like the idea of three people working late in an office while others play – or at least shop – in the evening.
I took this before the Christmas period began in earnest – which is why there aren’t any festive decorations in the shot.
Theatres have continued to be a good hunting ground for street photography for me. I found this young woman reading a newspaper outside the Apollo Shaftesbury Avenue when the weather was a little warmer than it is now.
I took quite a few shots of her from various angles. She didn’t notice me: she was so engrossed in her newspaper. I loved the expressions on her face and the fact that she was oblivious to the world around her.
These are the best two that I took.
The joy of mobile phones is that at night they provide the perfect light for people’s faces. It can be hard, thought, to get close enough to get a good shot.
But on the South Bank on Wednesday evening, this woman was so engrossed in what she was doing that she didn’t notice me. I got one good shot and walked away very happy with my last shot of the evening. I’d previously put my camera away because it was raining and I was on my way home. But I got it out again for a couple of shots from Hungerford Bridge and then I spotted this woman – my last shot of the evening.
I haven’t posted for almost two months. Life, work, exhibiting and selling prints has got in the way of blogging and of me getting out with my camera and photographing the streets of London. And that will never do! So I’ll be back on the streets – in a good way – this coming week and every week after that.
But to start off, here are some photos I took outside the Prince Edward Theatre on Old Compton Street, Soho, where Miss Saigon is currently on.
I like the lighting outside theatres. The downlighting isn’t always flattering to people but it does make for interesting images with lots of contrast – perfect for black and white photography.
And the places where crowds gather are prime people-watching territory – whether it’s someone grabbing a quick bite before going into the theatre…
… or a couple standing around waiting
I might be hanging around a few more theatres in the next few weeks.
I’m launching my “London Through a Window” series of limited edition prints at the Rotterdam International Art Fair on 12 and 13 September.
The series started life on this blog. Pointing my camera through windows when it was dark outside was a way of doing street photography at night. I capture people at the moment when they first become aware of my camera or at an honest moment when they are completely unaware of the camera. Lugging a huge tripod around to take shots at slow shutter speeds would make that impossible. So windows with light spilling out of them became my focus.
Since then the project has developed into a way of looking at life on the street and the dissociation between street light and life on the inside. As people commented on this blog, the presence of a window on the shot emphasised the photographer as an outsider, observing the world. Street photographers are detached from their subjects. We don’t know them, yet we take photos of them.
For me, street photography is pure observation: it doesn’t judge, it doesn’t start with a premise or a point to make, it simply observes. Of course, what a street photographer then edits out of the many shots they take, will reflect the concerns and interest of the photographer but that is the same for photographers in all genres.
A project, such as “London Through a Window” concentrates the mind. I’m looking in a certain direction. It helps me to find a little order in the chaos of a busy city like London.
This window in China Town attracted quite a crowd the other evening. The woman in the window was making taiyaki – a Japanese fish-shaped cake – putting them in the heated storage thing on the right (I have no idea what they’re called) and serving them out to customers. She had a steady stream of customers – making the cakes in the window was obviously good marketing.
I wanted to get a shot of her making the cakes but that was never going to happen – too many people stopping to watch her. They came and went but this little girl stayed there for a while. I don’t know where her family were or if they bought her the cakes. I hope she got to taste some!
I took this last night. I initially spotted the blond woman’s hair which was luminous in the direct light from above. I took a shot of her and her dining partner. As I did, I noticed the elderly lady. She was so interesting that I had to get her in the shot. So I walked along to get to change the composition to put the blond woman on the intersection between two thirds and I got this shot. Two shots was all it took.
Before I spotted the blond woman I had been taking shots of the counter from another angle, trying to capture the interesting light and the waitress sweeping the floor behind the counter. I like the light in those shots but the subject is too small and the composition isn’t very interesting.
It just goes to show that the right shot can be there and it doesn’t take a dozen presses of the shutter to get it!